Knowing and understanding wine
It is age which improves with wine.
Wine does not converse with its label and tasting sheet, as if it were a museum piece displayed in a showcase. Wine converses with all our previous memories, with our lived or imagined sensory experience. Drinking is remembering. And that is what we do at Bodegas Robles, with our wine tastings in Cordoba.
In Bodegas Robles, it is becoming ever more evident the climate change is having a significant effect on successive harvests and as we have already commented on more than once occasion: increasingly earlier flowering and harvests, extreme weather conditions (peaks of high and low temperatures), longer drought periods followed by heavy rainfall; plant “temperature stress”; ripening acceleration and lags; risks of pests and diseases which so far did not occur.
The Cream is a generoso liqueur wine, obtained from a blend of Oloroso and Pedro Ximénez wines. A brown to dark mahogany wine and an unctuous appearance (hence its name). With a sharp Oloroso bouquet, combines sweet notes such as nuts, and toasty notes, such as nougat and caramel. Sweet and velvety texture on the palate; with a balanced sweetness, a seductive and elegant journey and a long aftertaste in which the sensation of sweetness is combined with the typical notes of an Oloroso.
Aged under flower veil (cap or "flor" of yeast), a layer of indigenous yeasts which grow on the surface of the wine, preventing its contact with oxygen. The action of yeast imbues the wine with an extraordinary aroma.
Pale Cream is a generoso liqueur wine. It is elaborated as a fino (dry) wine whose fermentation is interrupted, lowering the temperature in order for the yeasts to stop acting. By interrupting the fermentation, sugar residues remain, resulting in a semisweet wine, with the freshness characteristic of a Fino but having the sweetness of the Cream.
En Rama or new is the wine extracted from the cellar – directly from the butt (cask) – which has not been subjected to the usual processes of clarification and filtration.
The extraction of the wine –the extraction– is carried out with great care, ensuring the minimal disruption of the “flower veil” (cap or “flor” of yeast) which grows on the surface of the wine.
The wine is in its most delicate stage, with all the colour, body and aromas which are contributed by the flower veil (cap or “flor” of yeast). For the same reason, it should be consumed in the days following its extraction.
The traditional method of ageing wines is known as the “Solera and Criaderas” method and is one of the greatest heritage of the wines of southern Spain.
This ageing method uses several rows of butts (casks). The bottom row of the butts (casks) is known as the solera (as it is near the cellar “floor”) and contains the oldest wine blends. The row immediately above is known as first criadera (seed bed or nursery) and the row above the first are the second and third criaderas (seed beds or nurseries) and so on and so on.
The wine intended for bottling is extracted from the solera. Only a small part of the contents of the butt (cask) is extracted (approximately one third a year, extracted in two sessions), so that the basic structure of the wine remains intact. This process is called extraction. Meanwhile, the solera butts (casks) are filled with wine blend from the first criadera, which in turn is topped off with the youngest wine blend of the second criadera (seed bed or nursery), and so on until the top row, which is filled with the youngest wine.
The flower veil (cap or “flor” of yeast) is a layer of yeasts which grow on the surface of the wine, preventing its contact with oxygen. The action of yeast imbues the wine with an extraordinary aroma. In order to favour the proper growth of the yeasts, the winery is maintained throughout the year under perfect conditions of temperature and humidity, completing the barrels in approximately five sixths.
Our wines are fermented using indigenous yeasts contained in the grapes themselves and grow naturally in our vineyard.
Why have we selected this grape for our young white wine? Because this variety produces wines of a very light colour and flavour halfway between acid and bitter: sour at first and slightly bitter aftertaste at the finish. That is why certain people identify the sour aromas of the grape with green apples, citrus (lemon, lime, grapefruit) and including even pineapple and banana. In a certain manner, somewhat elaborate, speaking of summer in the Cordovan countryside.
Tasting wine is about stimulating the imagination through the senses and provoking conversation.
When we taste a wine, we subject it to our senses to determine its quality, characteristics, aromas and particularities, and to express our impressions. Depending on whether it is a professional tasting or a tourist tasting, the tasters will rate the wines, or simply enjoy them guided by an expert.
In a wine tasting, the senses prevail, as it should be, taste and smell, with sight, touch and even hearing being the perfect combination for tasting. Hence, the importance of carrying out a tasting in a space with a medium temperature, quiet, airy, illuminated and free of odours that can overshadow the tasting.
Our eyes describe the colour, transparency, brightness and intensity of the wine, the nuances of its pigmentation and the formation of bubbles. Holding the glass by the base so as not to heat the wine, we can observe the wine against the light to distinguish its colour, brightness, cleanliness and the quality of the bubbles if it contains any. To check if it is clean and free of sediment, we place it in front of the light after shaking it. To check its brightness, we can tilt the glass in front of a white background and appreciate the intensity of its colour.
With our nose, we discover its aromas, whether it has fruity, toasted, herbaceous, floral or spicy touches. It is the most important phase of a tasting. A good wine should not have any vinegary, rubbery, garlic, sulphur or papery odours. We bring the glass close to our nose, first without shaking it, to distinguish its primary odours, and then, by moving the glass around its vertical axis, to distinguish its secondary odours. In addition, through this movement we can appreciate the tears that the wine leaves on the sides of the glass. We can continue shaking the glass to release new aromas if it has any.
Finally, through our mouth we can distinguish whether it has sweet, salty, acidic or persistent aromas. With a small sip, the taster moves the wine in his mouth from one side to the other with his tongue, to distinguish its sweet, salty, acidic or bitter flavours. We distinguish the sweet sensations on the tip of the tongue. Then we perceive the acidic sensations on the sides of the tongue, and the bitter ones on the back. If we maintain the sip, and take air through the mouth and release it through the nose, we can appreciate its aromas with greater intensity. Also, by warming it in the mouth we can appreciate more aromas. Finally, we swallow it and analyze the aromas and sensations that persist in the mouth after ingesting it.
As for the type of tasting, the same wine will be tasted, but from different vintages if it is a vertical tasting. A horizontal tasting when different wines from the same vintage and denomination of origin are tasted. And finally, blind tasting, which consists of tasting wines without knowing their origin and rating them without any suggestion.